Violist William Frampton has been praised by critics for his “beautifully executed” performances (The Arts Fuse) and “a glowing amber tone” (Boston Globe). Having made his New York debut in 2009 at Carnegie Hall’s Weill Recital Hall, he has also appeared numerous times as soloist in Boston’s Jordan Hall in performances including Berlioz’s “Harold in Italy” with conductor Joseph Silverstein. An enthusiastic performer of new music, he has worked with composers such as Gyorgy Kurtag and Malcolm Peyton. 2013-14 season highlights include performances of Schoenberg’s “Verklarte Nacht” with the Johannes Quartet, a performance of Mozart’s Sinfonia Concertante with violinist Sean Lee and the Philharmonic of Southern New Jersey, appearances as guest principal viola of the American Symphony Orchestra, and tours to Japan and Myanmar with a string quartet led by Midori Goto and presented by her foundation Music Sharing.

William’s festival appearances have included Verbier Festival Academy, Amelia Island Chamber Music Festival, Buck Hill-Skytop Music Festival Richmond Festival, Kneisel Hall, Sarasota Music Festival, The Perlman Music Program, and is the Artistic Director of Music at Bunker Hill, a chamber music series in Southern New Jersey. He has collaborated with such artists as Paul Katz, Peter Wiley, Roberto Diaz, Andres Diaz, John Dalley, Daniel Phillips, James Dunham, and Roger Tapping. He holds degrees from New England Conservatory and the Juilliard School, and studied with Kim Kashkashian, Samuel Rhodes, Choong-Jin Chang, and Byrnina Socolofsky. He teaches viola and chamber music at Queens College, CUNY, and is currently pursuing a DMA at The Graduate Center, CUNY.

In his spare time, William swims, runs, cycles, and writes a blog on some of his other interests: coffee, food and travel.