Samuel Coleridge-Taylor (15 August 1875 – 1 September 1912) was a British composer and conductor. He was particularly known for his three cantatas on the epic 1855 poem The Song of Hiawatha by American Henry Wadsworth Longfellow. Coleridge-Taylor premiered the first section in 1898, when he was 23. Coleridge-Taylor sought to draw from traditional African music and integrate it into the classical tradition, which he considered Johannes Brahms to have done with Hungarian music and Antonín Dvořák with Bohemian music.
After Coleridge-Taylor’s death in 1912, musicians were concerned that he and his family had received no royalties from his Song of Hiawatha, which was one of the most successful and popular works written in the previous 50 years. (He had sold the rights early in order to get income.) His case contributed to their formation of the Performing Right Society, an effort to gain revenues for musicians through performance as well as publication and distribution of music.
King George V granted Jessie Coleridge-Taylor, the young widow, an annual pension of £100, evidence of the high regard in which the composer was held.
African Suite, Op. 35
Danse Nègre (No.4)
Composed in 1898-1904
By Samuel Coleridge-Taylor
