Winter Concert 2014
Guest conductor Brandon Keith Brown and flute soloist Brandon Patrick George join the Ensemble in music of Ibert, Wagner and Mozart.
Spring Concert 2014
A staged performance of Monteverdi’s Combattimento di Tancredi e Clorinda,: plus the Beethoven Pastorale.
Fall Concert 2013
Mike Tietz leads the orchestra and guest soloist Kinga Augustyn in favorites by Vivaldi, Haydn, Rossini and Piazzolla.
Winter Concert 2013
Mike Tietz returns to conduct music of Shostakovich, Stravinsky, Sibelius and Prokofiev.
Spring Concert 2013
Music Director Michael Tietz leads The Broadway Bach Ensemble in music of Bach, Haydn, Tchaikovsky and Copland.
Fall Concert 2012: “Moz-Art”
Arkady Leytush leads the orchestra in music of Liadov, Mozart, Tchaikovsky and Townsend. Presented in memoriam Douglas Townsend, 1921-2012.
Autumn Concert 2011: “Influences”
Diane Wittry returns this October, joined by ‘cellist Jacqueline Choi, in a program of Brahms, Tchaikovsky and Shostakovich.
Winter Concert 2012
Guerguan Tsenov returns for the third consecutive year to lead this concert of Beethoven, Brahms and Faure.
Please print out the flyer and pass it around to your friends and co-workers!
Spring Concert 2012
Chris Hisey leads the orchestra in the “New World” Symphony and Sibelius’ Violin Concerto.
Spring Concert 2011
Our May 8 Mothers’ Day concert featured works of Dvorak, Canteloube and Mouret.
Coming Soon
Lyric for Strings
Originally titled Lament, the Lyric for Strings was first composed as the second movement of Walker's String Quartet No. 1 in 1946 while he was a graduate student at the Curtis Institute of Music. Read more →
Symphony No. 99
This symphony was written in 1793 in Vienna in anticipation of Haydn's second trip to London. Read more →
Overture to “The Wasps”
Composed by Ralph Vaughan Williams in 1909. It was written for the Cambridge Greek Play production of Aristophanes' The Wasps at Trinity College, Cambridge, and was Vaughan Williams' first of only three forays into incidental music. Read more →
Double Bass Concerto
The composer dedicated the concerto to Natalie Ouchkoff, his fiancé, whom he married the year of the composition's premiere. The work's production came at a time of little repertoire for the double bass, which was often considered as an instrument only for ensembles. Read more →